COUNTERPOINT

In this workshop we will study modal counterpoint, specifically Renaissance polyphony from the 15th and 16th centuries. We will begin working through species counterpoint, as developed by Johann Joseph Fux (1660-1741) and further elaborated on by Arnold Schoenberg, which goes through five gradual steps in writing polyphony. We will learn about the traditional modes used in motet writing and the rules and guidelines in treating consonance and dissonance which create its signature polyphonic style. This study helps one think both melodically and harmonically and to hear what is occurring in a dense texture of voices.

JUDITH BERKSON

Judith Berkson is a composer, vocalist, and pianist. Her research centers around tuning and microtonality as they relate to memory and perception, exploring the small spaces between similarity and difference. She cites influences ranging from cantorial chant to jazz standards, and lieder from composers such as Schubert and Schumann. Her music offers a contemplative, spare space for the reworking of traditional structures within contemporary sonic modes and techniques. Collaborations have included work with Kronos Quartet, Laurie Anderson, JACK Quartet, Vijay Iyer, Alvin Lucier, Mivos Quartet, Wet Ink and Yarn/Wire. Recordings on ECM Records, Fresh Sound, Pi, and Notice Recordings. Film music presented at Venice Biennale, SXSW and Outfest LA. Festival appearances: Angel City Jazz Festival, Picasso Museum Malaga, National Sawdust, Women from Space Festival, and Bang on a Can.