Extradition’s Spring Concert 2022 presents five works by an international, multigenerational group of women composers: Leaven Community Center – SATURDAY, APRIL 16, 2022 AT 7:30 PM – 9:30 PM PDT

> Lauren Redhead, Lines That Have Been Drawn on Photographs of Sculpture (2011), performed by Lee Elderton (soprano saxophone), Catherine Lee (oboe d’amore), Collin Oldham (cello), and Caspar Sonnet (lap steel)

> Melissa Vargas Franco, Ningún Nombre es Verdadero (2014), performed by Matt Carlson (piano)

> Ioanna Valsamara, 66 Ways to Look Above (The Sky Isn’t Silent) (2021), performed by Matt Carlson (electronics), Lee Elderton (soprano saxophone), and Collin Oldham (cello)

> Emmanuelle Waeckerle, A Direction Out There: Readwalking (with) Thoreau (2021), performed by Stephanie Lavon Trotter (voice) and Juniana Lanning (electronics)

> Annea Lockwood, Spirit Catchers (1974), performed by Douglas Detrick, Tim DuRoche, Juniana Lanning, and Stephanie Lavon Trotter (voices)

Barring significant changes in the COVID environment, we request that all guests remain masked for the duration of the event.

We’re excited to feature San Francisco sound artist/percussionist Kevin Corcoran. This show will also feature local improvisational artists, Jean-Paul Jenkins and Mark E Kaylor performing as a duo. Opening event will be Joshua Tenenbaum’s interestingly textural project d°rifle.  

Kevin Corcoran works with percussion, field recordings and electronics with an open interest in sound as medium as it moves through contexts of music, art, communication and place.

As a percussionist he is focused on techniques which extend the sonic possibilities of the instrument by emphasizing textural sound, friction, sympathetic vibration, sustained tones and the use of found objects with an interest in freely arranging events in duration rather than marking time by rhythm. Whether working in sparse sound with a single drum and cymbal or frenetic contexts on the drum kit, improvisation is crucial to his practice as a generative method and non-hierarchical exchange of ideas.

Through field recordings he observes and interacts with sites and objects with specific interests in abandoned architecture, urban excess, and intersections of infrastructure and open space. Electronic sound features in his work through the use of cassette tapes, computer software, feedback systems and various means of amplification.

Based in San Francisco, California, he collaborates across disciplines and borders having performed in the United States, Europe, Japan, South Korea, China and Taiwan with musicians, dancers, filmmakers, writers and visual artists. In addition to making live and recorded sound and music, he has exhibited sound installations and experimental video works.

Curated by Rose Moore and Caspar Sonnet. Conducted by Rose Moore:

Myles M., floor tom, Kadi Rae Smith  – voice, Angela S. –  sax/sampler, Seth Wright – bass synth, Adrian Snyder – drums, Caspar Sonnet/Garrett Brown – prepared guitars, John Walsh – acoustic guitar, Vern Avola – synth, Sam Klickner – prepared concert bass drum, Rose Moore conducting. 

Ben Kates plays alto saxophone and has done since the 4th grade. He’s played with folks like Han Bennink, Ana Mendoza, Mary Oliver, Maxx Katz, William Hooker, Thollem McDonas, John Gruntfest, Linda Austin, Gino Robair, Tere Mathern, Tatsuya Nakatani, John C. Savage, Wally Shoup, Jonathan Sielaff, Arrington de Dionyso, Urs Leimgruber, U Sco, Reed Wallsmith, Smegma and John Wiese. His ongoing collaborations include Thicket (a trio with John Niekrasz and Brian Mumford), Halfbird (a trio with Grant Pierce and Brandon Conway), Academy Award Nominated Actress Minne Driver (a trio with Holland Andrews and John Niekrasz) as well as It’s OK, Girl with Danielle Ross. He’s performed at the CMG’s Improvisation Summit of Portland, The No-West Fest, FanFare at Performance Works Northwest, A Portland Circus for John Cage’s Silence at PNCA, The Quiet Music Fest, as a member of Niekrasz’s Orchestra Becomes Radicalized and toured around the country in various bands. He was the artistic director of the Creative Music Guild for several years and is now a middle school principal. He occasionally plays the baritone saxophone these days. pitchandsiren.com

Danielle Ross is a choreographer, performer, and dance scholar. She has choreographed numerous evening length works in Portland ( at venues including Disjecta Contemporary Art Center, the Headwaters Theater, BodyVox, and Appendix Projects Space) and generated many shorter works in non-traditional venues throughout the city. Her work has received funding from Regional Arts and Culture Council project grants, Oregon Arts Commission’s Career Grant, and Portland Institute for Contemporary Art’s Precipice Fund. Ross enjoys bringing together various arts communities in Portland. In 2014, she ran (with collaborator and poet Stacey Tran) Pure Surface, a series dedicated to collaborative performances made by performers, video artists, and poets. She also served on the board of and curated performance for the Creative Music Guild from 2012-2018. Ross has an ongoing collaboration called It’s OK, Girl with saxophonist Ben Kates.  As a performer, she has worked with Linda Austin (Portland), Ayako Kato (Japan/Chicago), lu yim (Portland/NewYork), Bouchra Ouizguen (Morocco), and Zoe|Juniper (Seattle). Ross’ most recent project, Granular Peripheries, has been performed in Detroit, Evanston, and Chicago and is a truly site specific work documenting the social histories of each venue it is performed in. Ross is also a PhD candidate in Performance Studies at Northwestern University. For more: daniellerossperformance.com.  

Noah Simpson

Energetic, dynamic, and attentive describe Noah Simpson’s modern approach to contemporary trumpet playing. Simpson is celebrated as a performer, composer, and forward thinking improviser, who has performed with artists like George Benson, Bernard Purdie, and Ron Artis II.

1. GUZO is Madelyn Villano. She is a biracial noise musician who works with strings, samples, and electronics living in Portland, OR. Her live performance focus is mostly supporting her own somatic relief with sound — which lately translates into filling up space with loud, intense sonics.
2. Shane Mcdonell uses techniques inspired by musique concrete to produce sounds made from hardware, software, and natural phenomena. 
3. Physical Strength (Ivan Tribuzuio/guitar & Caspar Sonnet/percussion) is a duo exploring the use of gestural playing and impl, emental gravity in affection to sound within an improvised framework. 

St. Philip Neri 2408 SE 16th Ave, Portland, OR 97214
Doors at 7PM, Show at 7:30, $10

Creative Music Guild 

Confluence Series 

Tim Berne and Gregg Belisle-Chi (NYC)

With Gordon Grdina (Vancouver, CA)

And Saloli (PDX

Cover:

$20

Set times 

9:30pm Tim Berne and Gregg Belisle-Chi

8:45pm Gordon Grdina

8pm  Saloli

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Tim Berne and Gregg Belisle-Chi

Tim Berne -Alto Sax

Gregg Belisle-Chi – Guitar

Tim Berne has been performing internationally since 1982 with various ensembles including Caos Totale, Fractured Fairy Tales, Bloodcount and Snakeoil among others. He has made over 50 recordings as a leader for labels such as Soul Note, Sony, JMT, ECM and Intakt records.

Gregg Belisle-Chi is an Asian-American guitarist and composer living in Brooklyn, New York. Described by the New York Times as “a subtle stunner,” his work draws from the spaces between the spiritual and the analytical, the ethereal and the tactile, inviting listeners to a place of pause and reflection; music that “oozes beauty both in concept and execution, making us luxuriate in its immersive sonorities.” (Part-Time Audiophile) 

Their debut duet Album Mars is out on INTAKT Records

“A guitarist of impeccable technique and broad imagination…”- Nate Chinen 

“The great enjoyment of listening to Tim Berne songs comes largely from them being puzzles that challenges your ears to put together, making the tenth listen as fresh as the first one. Gregg Belisle-Chi has mastered Berne’s idiosyncratic language and on Mars he helps to place some of those puzzle pieces together, in real time. And the more of a Tim Berne’s song is revealed, the more brilliant it comes across.” – Something Else Reviews S. Victor Aaron

Gordon Grdina

Gordon Grdina – Guitar, Oud

Gordon Grdina is a JUNO Award (Canadian Grammy) winning oud/guitarist whose music spurs constant genre exploration throughout avant-garde jazz, free form improvisation, experimental rock, and Arabic music. His singular approach to the instruments has earned him recognition from the highest ranks of the jazz/improv world.

“Like the great athlete who sees the action ahead of him unfold in advance, Gordon Grdina has advanced powers of anticipation. A virtue no less crucial when he plays by himself”-All About Jazz Doug Collette

Saloli

Mary Sutton performs as Saloli and composes music for keyboard instruments.  She aims to create sonic landscapes that entrance and enthrall the listener into sweetly vulnerable introspection.  Saloli’s debut album of synthesizer compositions, The Deep End, was released through Kranky in 2018.  Her next album, The Island: Music for Piano Vol. I, was self-released as a limited edition cassette December 21, 2021 and is available now.

Zenith

The zenith is an imaginary point directly above a particular location, on the imaginary celestial sphere. This is/will be  aWinter Solstice celebration and sonic and visual meditation with this symbology and healing/hoping/global/solar awareness in mind.

They Gamble Ensemble:

Machado Mijiga– woodwinds, Efx

Noah Simpson– Trumpet, Efx

Michelle Alany– Violin, Efx

Alexis Mahler– Cello, Viola, Efx

Andrew Jones– Upright bass, Efx

Alex Callenberger– Sound design, keyboards

Michael Lockwood– Drums, Glockenspiel

Holland Andrews– Vox, efx

Devin Jane–  Projections Artist

Mike Gamble– Guitar, efx, Synth, Musical Director

Special Guest:

Jamondria Harris– streaming dance and sound

Location

2360 NW Quimby Street Portland, OR 97210

To Attend:

Please email for a reservation

mike@creativemusicguild.org

6:30 doors

7pm Show