Discordance is proud to present Chris Cogburn’s festival NO IDEA. This event will feature noise legend Jeph Jerman and film “The Finger’d Removed” directed by Patrick Danse (director’s cut). The bill will also include local latent Caspar Sonnet and Doug Theriault. Thank you for your interest and we hope to see you all there!

Venue: Leaven Community 

Doors: 7:30

Cover: $10 

Further details about Jeph (FCA excerpt)  

Jeph Jerman is a musician who began his musical career drumming and playing in bar bands. In the 1980s, he became aware of other sonic possibilities for his drum kit and started learning to improvise and record his own music. During this time Jerman was a frequent collaborator with other musicians who were also exploring improvisational techniques. In the mid-1980s, Jerman founded a cassette label for the distribution of music by himself and friends. The label released over 50 cassettes, several LPs, and a short-lived magazine.

After relocating from Colorado to Seattle, Jerman continued playing with local groups of improvisers and began giving solo performances where he improvised with mostly natural found objects, a practice he continues today. He founded the first animist orchestra dedicated to making larger scale works using natural object play. In 1999, Jerman moved to Cottonwood, AZ. He continues to investigate sound and recording in many forms including field recordings, the building of crude sound making devices, and the effects of age and other damage to analog tape. Jerman’s 2014 Grants to Artists award funded recording and touring with Tim Barnes. Jerman continues to collaborate with Dave Knott in a band collectively known as The Yes, Well, and with Tim Barnes, with whom collaborated on an FCA-supported record released in 2015 (Erstwhile Records.) Other CDs and works are available on Anomalous Records, Semperflorens, and Trait Media Works.

Chris Cogburn (bio)

Percussionist who works mainly in the field of improvised music. Current practices focus on the threshold between acoustic and electronic sounds, their differing timbral qualities, and their sites of resonance. The tension between just intonation and the unfettered resonances of objects is a burgeoning concern informing his most recent work.

Cogburn has performed around the world including: Anahuacalli Museum (Mexico City), James Turrell’s Roden Crater (Arizona, USA), Ausland (Berlin), Cinemateket (Oslo). His current music projects include: Resonance with Iván Naranjo (MX); Anáhuac with Ignaz Schick (DE) and Juan García (MX); A Spirale with Italian musicians Mario Gabola and Maurizio Argenziano; and Fear of the Object, an audio-visual improvisation ensemble with the Norwegian video artist Kjell Bjørgeengen and a rotating cast of guest artists including Ingar Zach (NO), Juan García (MX), Aimée Theriot (MX/NL) and Judith Hamann (AU). Chris has released recordings on several labels including: Astral Spirits, Another Timbre, INSUB, Simple Geometry and Balance Point Acoustics.

Since 2003, Cogburn has organized the annual No Idea Festival. Based in Austin, Texas, No Idea events have also been held in San Antonio, Houston, Marfa, Fort Worth, Dallas, New Orleans, Mexico City and Merida, Yucatán and have featured artists from around the world.

Bio: 

Casual Decay is the ambient electronic project of Jon Nasrallah. With deep roots in the diy punk scene, Nasrallah imbues his work with a sense of social alienation, the chaos of hardcore and the gravitas of post-rock for a uniquely heavy take on ambient. Inspired by both ecological systems and cellular activity, Nasrallah uses a variety of synthesizers and sampling techniques to approximate the dynamics of the natural world. Semi-random fluctuations of noise, rippling arpeggios and melodic waves combine sound design and composition into singularly integrated soundscapes. 

Socials:

Instagram – casual_decay 

Casualdecay.bandcamp.com 

BIO

Mike Gamble is an adventurous guitarist and multi-instrumentalist whose work with electronic modes of composition are integrated endlessly into his setup. Gamble has spent the last 20 years immersed in the creative jazz, experimental rock and improvised music scene primarily in NYC, with close ties to New Orleans, Burlington, Boston, San Francisco and now the Pacific Northwest. He has had the pleasure of recording over 50 albums and has been touring the states, Canada, and Europe with his critically-acclaimed guitar trio The Inbetweens, Mike Gamble Solo,, and alongside doom-metal originators Earth. His more recent collaborators include Bobby Previte, Todd Sickafoose, Nels Cline, Wayne Horvitz, Esperanza Spalding, Matt Chamberlain and Lori Goldston. 

Since relocating to Portland,  Mike Gamble has dived into the jazz and experimental, Pop, Indie Rock, and electronic/modular scene and gigs 4-7 times a week. He currently holds a position as an Audio Production instructor at Oregon State University, and a guitar teacher at both Willamette University and Reed College and is the Artistic Director of Portland’s long standing experimental music organization, The Creative Music Guild.

Quotes

“He has a brain that seems to work faster than other human brains – maybe more like a hummingbird or a spider. Music comes flying out. You just sit and listen to what he thinks of next” Todd Sickafoose

“Mike Gamble is dangerous in the best way”  Nels Cline

“Mr. Gamble knows his way around a drone, but he also puts a lot of shifting harmony and texture in his one-man sketches, some of which —  like “I’m on Your Side,” with its abstracted trip-hop beat —  come across as thoughtfully developed compositions” Nate Chinen NY TIMES

WEBSITE:

https://linktr.ee/mikegamble

https://mikegamble.bandcamp.com/

Rick Parker casts a broad net with his trombone playing augmented by electronics and synthesizers. His music has been described as “an expressive new-breed fusion, informed by a few generations of downtown experimentation.” (Nate Chinen, New York Times). He has released 8 CD’s as a leader/co-leader on labels including Fresh Sound New Talent, Chant Records and OutNow Recordings. Parker has performed and recorded with a wide range of musicians including Tim Berne, the Mingus Big Band, Muhal Richard Abrams Orchestra, Frank Lacy, Lukas Ligeti and Michael Attias. As a bandleader, Parker’s music traverses multiple cultures and musical genres. His jazz quintet, The Rick Parker Collective, released two albums on Fresh Sound New Talent and WJF records. Parker also has two albums with Little Worlds, a collaboration that ventures into the music of classical composer Bela Bartok. 9 Volt, with Israeli guitarist Eyal Maoz, is a brash experimental jazz/rock trio, whose debut album on OutNow Recordings featured Tim Berne. In 2016 Parker entered into a collaboration with China based multi-instrumentalist Li Daiguo (cello, pipa, throat singing, beatboxing) with whom he has toured in both the US and China and released two albums. From 2014 thru 2018 Parker worked closely with electronic percussionist/composer Ravish Momin, with whom he released several recordings and toured extensively in Europe, Mexico, USA and Asia. His collaborations with electronic music producers has continued with tours with Daniel Brandt and the Eternal Something at the Wonderfruit Festival in Thailand, Eduardo Castillo’s Mardeleva in New York and Mexico and an upcoming recording with producer Le Fou. His most recent group, Bian Tai Quartet, features saxophonist Michael Attias, bassist Simon Jermyn and drummer Kate Gentile.

www.rickparker.net

Instagram: @rparkersounds

https://www.facebook.com/rickparker2

Videos

Shapes for Rick and Daiguo, Video by Brian Edgerton https://youtu.be/oHQU61aAhZY

ZEPHYR

Saturday

June 25th

4-11pm

Destination Universe

8430 SE Harney st

Seamless improvisations w/sound sight dance

and free vegan food.

Open to all!!