Jan 19, 2017

Ava Mendoza

















Ava Mendoza’s eclectic guitar playing that draws on elements of classical, blues, Jazz, metal and noise had earned her recognition as the fret board and stompbox wizard in the Oakland noise and free-improvisational music scenes. Since then, Mendoza has relocated to Brooklyn, New York where she plays in her trio Unnatural Ways and has extensively toured the USA and Europe. Mendoza brings an everlasting fluxus moods and energies to her performances. Mendoza does not hesitate to jump from blues finger picking to abrasive metal and walls of noise all with seamless transitions to make the wide variety of sounds very cohesive and personal which a listener can identify as an authentic expression of a musician that does not believe in the boundaries of classification and genres.



The Crenshaw
















Andrew Jones- voice, upright bass and electronics
Christopher Johnedis- drums and triggers.
The Crenshaw can allude to tensely repetitive footwork and juke beats, explosive art rock, ambient minimalism and delicate free improvisation all in the span of 3 minute songs that employ stuttery drums, warped synths, dastardly bass/voice counterpoint and self-effacing or darkly humorous lyrics.


Jan 19, 2017

Peter Evans


Mike Gamble/ Andrew Jones/ Noah Bernstien / Chris Johnedis with special guest Ryan Miller

Jan 19, 2017

Sadly Tashi Dorji had to cancel his tour due to a family emergency. But, the show goes on.

Plankton Wat is the meditative solo guitar sound world of Dewey Mahood. Many records, tapes, and cds have been released since 2002 on labels such as Thrill Jockey, Debacle, and Sloow Tapes. Mahood has a new release Hidden Path coming out on Sky Lantern this spring.


Sitting is a new experimental ambient duo of Bob Desaulniers and Aubrey Hornor of the band Lithics. They explore sound via analog synths and long form drones.

The Social Stomach formed 2016 by percussionist/electronic sound artist TJ Thompson (Galaxy Research, Electro Kraken, Pregunta) and vocalist/poet Diana Oropeza, the duo explore the unique intersection of rhythm and the human voice.



Feb 15, 2017
$5 – $15, sliding scale
Turn Turn Turn
8 NE Killingsworth
Feb 1, 2017 — 8pm (over by 10)
$5-15, sliding scale
Turn Turn Turn
8 NE Killingsworth
Dec 30, 2016

The 2017 Extradition Series winter concert will take place on Saturday, January 21, featuring five works of new and experimental music:

– Eva-Maria Houben, “la solennité des silences” – An open, spacious ensemble piece by German composer Houben, a mainstay of the Wandelweiser group. The texture of each section is determined in the moment by the ensemble members, each of whom follows a series of simple rules to determine when to add their voice. Between each section is silence. The ensemble for this performance will include Lee Elderton (Bb clarinet), Sage Fisher (harp), Mike Gamble (nylon-string guitar), Catherine Lee (oboe), Dana Reason (piano), Andre St. James (double bass), John C. Savage (flute), and Jonathan Sielaff (bass clarinet).

– Vanessa Tomlinson, “Still and Moving Paper” – Scored for a large sheet of paper, pencils, three books, and reading voice, this solo work by Australian percussionist/composer Tomlinson honors the decline of the physical act of writing and the loss of the book as a totemic object, as society moves further and further along the digital path. The piece will be performed by writer and percussionist Matt Hannafin.

– Dana Reason, Title TBD – A new work by Corvallis-based Canadian composer/pianist Dana Reason. Title and instrumentation to be announced.

– Daniel Brandes, “A Dwelling Place for You” – This simple, intimate work by Canadian composer Brandes is scored for two singers, who are asked to immerse themselves in the experience of singing to and with each other. The score, in narrative form, describes a musical/spiritual practice that the two performers are invited to explore, both through their voices and through manipulation of found natural objects (dry leaves, stones, water, etc.). The piece will be performed by Blanca Stacey Villalobos and Tawni Squire.

– Jurg Frey, “Glafsered I / II / IV” – A family of three related works by Swiss Wandelweiser composer Jurg Frey. “Glafsered I” is scored for two percussionists playing crotales and tuned flagstones, “Glafsered II” is for piano and bass clarinet, and “Glafsered IV” employs bass clarinet and percussion. The works will be performed by Dana Reason (piano), Jonathan Sielaff (bass clarinet), and Loren Chasse and Matt Hannafin (percussion).


Music does not exist in a vacuum. In acknowledgment of the U.S. presidential inauguration scheduled to occur one day prior to this event, Extradition wishes to dedicate this concert to the continuing struggle to end discrimination and hate and build a more just, equitable, and pluralistic society.

The Extradition Series is a quarterly concert series presenting composed and improvised New Music and works from the 20th-century experimental tradition. The series is directed by Matt Hannafin and presented in collaboration with the Creative Music Guild.


See our YouTube channel for audio of select past Extradition performances: www.youtube.com/channel/UCjQYq5Q0PRsAKe5fyU-H_IA

Jan 25, 2017 — 8pm (doors at 7)
$12 ADV / $15 DOS
Mississippi Studios
Jan 18, 2017 — 8pm (over by 10)
$5-15, sliding scale
Turn Turn Turn
8 NE Killingsworth
Jan 4, 2017 — 8pm (over by 10)
$5-15, sliding scale
Turn Turn Turn
8 Ne Killingsworth
Dec 01, 2016
Evil Genius














Evil Genius (Portland/Los Angeles) is a forward-marching experimental jazz trio formed in 2012. The band is made up of Max Kutner on guitars (Grandmothers of Invention, Magic Band, Alphonso Johnson), Stefan Kac on tuba (Milo Fine, Jon Armstong, Hammerstein) and Michael “Bonepocket” Lockwood of drums and percussion (Atomic Ape, Deradoorian, Matt Kivel). The band’s unique sound has drawn comparisons to groups as wide-ranging as the Minutemen, This Heat and Captain Beefheart to jazz figures like John McLaughlin, Steve Lacy, Henry Threadgill and many more. They have received acclaim from the New York City Jazz Record, Bad Alchemy, Los Angeles Jazz Station, Downtown Music Gallery, El Intruso and more. In the words of Larry Koonse, “this band can do it all–whether its in your face rock, free wheeling open improvisation, 20th century classical music, or jazz–they can pull it off and upend all of your expectations.” Their debut album, “Bitter Human” was released in late 2015 and available through Orenda Records in Los Angeles.


The Dead White

“Following a debut CDr on Pete Swanson’s famed experimental label Collective Jyrk in 2006, The Dead White has been a fixture in underground ambient and noise circles in San Diego, Olympia, WA and Portland.”

Uneasy Chairs and Kole Galbraith

“Uneasy Chairs is guitarist Patrick Neill Gundran. Free improvisation, noise and experimentalism explored live both solo and in collaborations. Based in Seattle, WA.”


Kole Galbraith

“Seattle based artist Kole Galbraith approaches the electric bass with both conventional and unconventional manners to explore both the delicacy and gutteral cathartic possibilities achievable with one single instrument. Weaving sound and silence, Kole both mimics sounds found in nature as well as cosmic layers which result in very emotionally expressive pieces.”